I can’t think of a better way to honor Dr. King than to attend a movie about justice, USA style—and I don’t mean Selma:
Clint Eastwood’s R-rated Iraq War drama “American Sniper” opened in January like a superhero movie in July, taking in a record $105.3 million over the Martin Luther King Jr. four-day weekend.
“It’s become a cultural phenomenon,” said Dan Fellman, head of domestic distribution for Warner Bros. “The movie reached an audience that’s very hard to tap into. In both red and blue states, small and large cities, tiny towns — everywhere we went — it broke records.”
Going into the weekend, optimistic predictions for “American Sniper” were closer to $50 million, which still would have been an enormous success, particularly considering how little appetite audiences have had for movies about the wars in Iraq and Afghanistan.
“This was maybe the most underestimated film of all time, considering that it did about twice what estimates predicted,” said Paul Dergarabedian, senior media analyst for box-office firm Rentrak. “This just doesn’t happen.”
It’s not movies about the wars in Iraq and Afghanistan for which audiences have little appetite. It’s bad, anti-US movies about the wars in Iraq and Afghanistan from which people stay away in droves:
The science is now settled: Anti-American films are costly box office bombs at a rate of nothing less than 100%. On the flip-side, pro-American films make money. Many are outright blockblusters. Moreover, almost every the anti-American film produced over the last decade has also been an artistic failure, while many pro-American films have garnered positive reviews.
Let me boil this down for the leftwing-impaired: Lies make for lousy art and can’t be sold to the public.
And here’s another lie Hollywood was spreading a few years back — the lie that in an international film market, Americanism doesn’t sell. Below is the science; an apples-to-apples domestic box office comparison of narrative films (not documentaries) with major stars produced over the last decade about the War On Terror.
Read the lists. It’s hysterical how many forgettable movies (not least because they’re forgotten) Hollywood has turned out with the message war is bad, US wars are worse, Bush’s wars are the worst. For every American Sniper and Lone Survivor (each well over $100 million), there were dozens of Syrianas and Munichs (perhaps the most despicable film I’ve never seen) that lose their shirts.
I wish Dr. King had lived, but, as I say, I can’t think of a better way to honor the memory of one American hero than by confounding those racists in Hollywood with box office boffo for a Clint Eastwood movie about another American hero.
PS: And the Left can’t stand it!